Skip to content

Unvoiced

Hoku Roku

Release year: 2025

Run time: 86 minutes

Film type: Documentary

Synopsis

This film is composed primarily of interviews with eight residents of Wuhan, conducted discreetly in May 2024. In present-day China, it is not permitted to speak publicly about what happened during the COVID-19 pandemic. Even in the absence of criticism, the act of recalling memories or seeking healing is suppressed. The interviewees recount, in their own words, the suffering and loss they experienced during the 2020 lockdown. Some chose to remain off camera or spoke with their backs turned, their presence reflecting the tension between individual freedom and state power. By deliberately confronting a reality in which speech is constrained, this film seeks to illuminate forgotten truths through lived experiences that cannot be conveyed by impersonal statistics. It stands as a record that mourns those who have passed and listens closely to the voices of those who survived.

 

Director biography

Born and raised in Wuhan and now living abroad, the director felt a strong sense of mission rooted in their unique position – one that allowed them to access, document, and share the testimonies of those directly affected.

Director's statement

As you may have noticed, UNVOICED was not made simply to record the distress and suffering of the people of Wuhan during the pandemic. It is said that recovering from trauma involves three stages: "establishing safety," "remembrance and mourning," and "reconnection with ordinary life." However, though it may be hard to imagine in other countries, in China today, any activity related to the "remembrance and mourning" essential to the recovery process is strictly prohibited regarding the events of the pandemic, even if there is zero intent to criticize or assign blame. If remembering the chaos and suffering of the pandemic and mourning the dead is essential to recovering from trauma and is a shared challenge for people everywhere, then providing a space for ordinary citizens to speak and heal amidst such strict taboos, and challenging the unreasonable reality was a major reason why I made this film. In that sense, all of you who have listened to their stories have contributed to that process of trauma recovery and to the process of resisting a reality where people are forbidden to speak with one another.