Acceleration, Excess, Techno-Scavenging, and Moving Image Reclamation
CONG Feng 丛峰 Abstract This article reflects on the conditions of contemporary moving image culture through the intertwined notions of […]
Fragmenting to Recompose: The Pieces of The Past in Breathless Animals (2019)
Désirée MARIANINI Abstract After the 1980s, what Lyotard calls the grand narratives came to an end; progress, history, science, […]
Bad Images as Diasporic Homes: Exploring Media Obsolescence in Chinese Diasporic Filmmaking
Lynette Qiuyang Shen 沈秋阳 Abstract This paper examines how bad images – characterised by poor quality and often produced […]
‘Home Movies and Archives Offer Diverse Narrative Samples for Understanding Our Era’— A Conversation with Director Gu Xue on the FamilyLens Film Archive
Interviewer: Ann Lyuwenyu ZHANG 张吕文煜 Note: On Feburary 17th, 2025, I conducted an interview with director Gu Xue 顾雪regarding FamilyLens […]
The Educational Film Archive in the Sinophone World: Conceptual Migration and the Exploration of a Decentralized Film Preservation Approach
WEI Yizhou 韦怡舟 Abstract This article investigates the concept of the educational film archive by examining its migration from […]